<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace Site Server v5.0.0 (http://www.squarespace.com/) on Thu, 21 Aug 2008 00:21:33 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://novelworld.squarespace.com/less-than-the-best/"><rss:title>LESS Than the Best</rss:title><rss:link>http://novelworld.squarespace.com/less-than-the-best/</rss:link><rss:description></rss:description><dc:language>en-US</dc:language><dc:date>2008-08-21T00:21:33Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.0.0 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://novelworld.squarespace.com/less-than-the-best/2007/9/1/song-for-night-by-chris-abani.html"/><rdf:li rdf:resource="http://novelworld.squarespace.com/less-than-the-best/2007/5/19/how-i-became-a-nun-by-cesar-aira.html"/><rdf:li rdf:resource="http://novelworld.squarespace.com/less-than-the-best/2007/5/19/american-visa-by-juan-de-recacoechea.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://novelworld.squarespace.com/less-than-the-best/2007/9/1/song-for-night-by-chris-abani.html"><rss:title>SONG FOR NIGHT by Chris Abani</rss:title><rss:link>http://novelworld.squarespace.com/less-than-the-best/2007/9/1/song-for-night-by-chris-abani.html</rss:link><dc:creator>Nick DiMartino</dc:creator><dc:date>2007-09-01T17:51:48Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-left"><img style="width: 62px; height: 96px" alt="Song%20for%20Night%20cover.jpg" src="http://novelworld.squarespace.com/storage/Song%20for%20Night%20cover.jpg" /></span>After being mentally scarred forever by Dave Eggers&rsquo; monumental <em>What Is the What</em>, I swore I&rsquo;d had enough. No more hair-raising child soldier carnage tales for me. No more mothers eating their babies, children as mine detectors, twelve-year-old rapists, rivers of corpses, you know, that kind of thing.</p><p><span class="full-image-float-right"><img style="width: 150px; height: 100px" alt="Chris%20Abani%20face.jpg" src="http://novelworld.squarespace.com/storage/Chris%20Abani%20face.jpg" /></span>Let&rsquo;s be clear: I may be no Dave Eggers fan, but his book is the artistic mountain to measure by, a stunning achievement &ndash; and all the others have created a somewhat familiar genre (<em>They Poured Fire on Us from the Sky, Beasts of No Nation, A Long Way Gone</em>) and now the newest entry, Chris Ajani&rsquo;s mercifully short descent into Nigerian hell, Song for Night.</p><p>It&rsquo;s handsomely produced by Akashic Books as a $12.95 paperback original, with a heartbreakingly touching cover. The story, however, is blunt and brutal.</p><p>The novella is the first-person account of a fifteen-year-old named My Luck who has developed an unsavory fondness for shooting people. He hasn&rsquo;t spoken in three years since his vocal cords were snipped by the military. He&rsquo;s separated from his unit of children mine detectors, and spends the entire novella searching for them, tramping through a landscape only Hieronymus Bosch could love to find them. His girlfriend dies in pieces in his arms. His sadistic military commander, sixteen-year-old John Wayne, entertains himself with brutalities that leave the reader gasping, until My Luck shoots him, unfortunately taking out a seven-year-old girl at the same time. </p><p>As a narrative structure, Song for Night is structured like a video game. Encounters mean killing. Ajani employs some fascinating original spins, most prominently My Luck&rsquo;s fondness for hiding in crawlspaces and crocheting. But otherwise, this is a road trip with the grimmest companions imaginable &ndash; a teenager holding his intestines in his arms, a woman toting her own coffin.</p><p>Unfortunately, Abani not only has a gift for swift, electrifying nightmare images &ndash; he also has a propensity for corny poetic touches about morning dew and angels. Still, if he has first-hand knowledge of any of this human butchershop, poor guy, I&rsquo;ll tip my hat to him for just getting the horrors down on paper.</p><p>(originally posted on Shelf-Awareness.com)</p>]]></content:encoded></rss:item><rss:item rdf:about="http://novelworld.squarespace.com/less-than-the-best/2007/5/19/how-i-became-a-nun-by-cesar-aira.html"><rss:title>HOW I BECAME A NUN by Cesar Aira</rss:title><rss:link>http://novelworld.squarespace.com/less-than-the-best/2007/5/19/how-i-became-a-nun-by-cesar-aira.html</rss:link><dc:creator>Nick DiMartino</dc:creator><dc:date>2007-05-19T14:25:28Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-left"><img style="width: 60px; height: 91px" alt="How%20I%20Became%20a%20Nun%20cover.jpg" src="http://novelworld.squarespace.com/storage/How%20I%20Became%20a%20Nun%20cover.jpg" /></span>Cesar Aira&rsquo;s HOW I BECAME A NUN ($13.95) is a weird, tiny novel from Argentina, only 117 short pages. Evidently Aira has written dozens of these mini-books, and is super popular in his home country. I&rsquo;ll say one thing: this cute little book (the cover shows a child with a giant strawberry ice cream cone) has the most intense, mind-blowing opening of any novel I&rsquo;ve read in years. A triple surprise in the first thirty pages. Pure narrative whiplash, and all using the simple device of a strawberry ice cream cone. Really, the sequence is brilliant. </p><p>Unfortunately, from there the story doesn&rsquo;t know where to go. It wanders through hallucinations, tries this, tries that, and then Aira brings the whole thing to an abrupt halt with a cartoonish murder ending, in which the narrator is killed. </p><p>Unique, yes. Satisfying, no. One of the book&rsquo;s trippy aspects is that the narrator refers to herself as a six-year-old girl, while everyone around her acts like he&rsquo;s a boy and addresses him as little Master Cesar. This is never resolved. </p>Same goes for the title. No one ever becomes a nun. It has nothing to do with anything. In the end, this little novel suffers from the same problem. It&rsquo;s a clever doodle going nowhere. But I&rsquo;ll never, ever, ever&nbsp;forget those first thirty pages.]]></content:encoded></rss:item><rss:item rdf:about="http://novelworld.squarespace.com/less-than-the-best/2007/5/19/american-visa-by-juan-de-recacoechea.html"><rss:title>AMERICAN VISA by Juan de Recacoechea</rss:title><rss:link>http://novelworld.squarespace.com/less-than-the-best/2007/5/19/american-visa-by-juan-de-recacoechea.html</rss:link><dc:creator>Nick DiMartino</dc:creator><dc:date>2007-05-19T13:56:34Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-left"><img style="width: 61px; height: 95px" alt="American%20Visa%20cover.jpg" src="http://novelworld.squarespace.com/storage/American%20Visa%20cover.jpg" /></span>Juan de Recacoechea&rsquo;s AMERICAN VISA ($14.95) is the most popular novel ever published in Bolivia, and it has a lot to recommend it. The narrator has a sense of humor and a sharp eye. His sentences have sting. He captures the teaming life of La Paz in scene after scene, and creates tension by subjecting a genuinely nice guy, an ex-school teacher trying to get to Florida to live with his son, to tense obstacles on his road to a visa. </p><p>Then, midway through, out of nowhere, Mario Alvarez, the hero, decides without a moment of forethought or the briefest moral quandary that he needs to commit a robbery and murder, and without another mention of his son, changes into a ruthless asshole. I bailed on page 141: &ldquo;I had a single window for finishing Arminda off with a crushing blow to the neck&hellip;&rdquo; </p><p>Hey, is this the guy I&rsquo;ve been worrying about? A school teacher? I hope he doesn&rsquo;t get his visa.</p>]]></content:encoded></rss:item></rdf:RDF>